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| Issue |
Title |
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| No 3 (2026) |
N. I. Gnedich’s Lyrical Universe in the Assessments of Yu. N. Tynyanov, V. F. Khodasevich, and V. V. Veresaev |
Abstract
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K. A. Potashova |
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| No 3 (2026) |
Kuchelbecker’s Unknown Stanzas about Napoleon |
Abstract
PDF (Rus)
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M. Kiva |
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| No 3 (2026) |
Education, Entertainment, and a Part of Life: The Reading Circle of A. I. Ertel and the Heroes of His Works |
Abstract
PDF (Rus)
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I. Yu. Smirnova |
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| No 3 (2026) |
The Problem of Personality Formation During Pivotal Era on Example of A. N. Tolstoy’s Novel “Peter the Great” |
Abstract
PDF (Rus)
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S. M. Chervonenko |
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| No 3 (2026) |
Proverbs and Sayings in N. V. Gogol’s Book “Selected Passages from Correspondence with Friends” |
Abstract
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S. A. Dzhanumov |
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| No 3 (2026) |
The Interpretation of Neo-Historicism in Yakhina’s Novels |
Abstract
PDF (Rus)
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J. Zhang, L. Liu |
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| No 2 (2026) |
“The Scary House” in the Prose of V. F. Odoyevsky and N. S. Leskov: Transformation of the Gothic Tradition |
Abstract
PDF (Rus)
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Т. A. Alpatova |
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| No 6 (2025) |
О духовных смыслах стихотворения М.Ю. Лермонтова «Бородино» |
Abstract
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| No 1 (2026) |
Literary Relations of Ya. B. Knyazhnin and N. P. Nikolev: On the Motives of Literary Polemics |
Abstract
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N. S. Afanasyeva |
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| No 1 (2026) |
“The Nameless City” by V. F. Odoevsky: “The Fiction of a Mental Experiment” and the Narrative Structure of the Text |
Abstract
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E. M. Perevalova |
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| No 6 (2025) |
Traditional Values and Fates of Female Characters in A. N. Tolstoy’s Novel “Peter the Great” |
Abstract
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L. F. Alekseeva, S. M. Chervonenko |
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| No 6 (2025) |
On the Spiritual Meanings of M. Yu. Lermontov’s Poem “Borodino” |
Abstract
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G. V. Moskvin |
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| No 6 (2025) |
Literary Impressionism in I. S. Shmelev’s Prose of Emigrant Period |
Abstract
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Xue Chen |
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| No 6 (2025) |
The Sorrowful Way to the East in A. S. Neverov’s Story “Tashkent, the City of Bread” |
Abstract
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K. V. Sanatov |
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| No 6 (2025) |
The Russian Chronicler and the Polish Poet in A. S. Pushkin’s Tragedy “Boris Godunov” |
Abstract
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S. A. Dzhanumov |
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| No 6 (2025) |
Florensky and Flaubert: Anticipating French Theory |
Abstract
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A. V. Markov |
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| No 5 (2025) |
Ballad Genre as J. W. Goethe’s Experimental Field |
Abstract
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A. A. Kozin |
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| No 5 (2025) |
Lubok Novel About Princess Sophia |
Abstract
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N. N. Puriaeva |
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| No 5 (2025) |
The Objective World as a Means to Manifest Allegorical Historiography in M. M. Kheraskov’s Novel “Numa, Or Prosperous Rome” |
Abstract
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A. E. Puchkova |
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| No 4 (2025) |
Corpus Composition of M. Yu. Lermontov’s Poems Written in 1840: Problems of Sources and Dating |
Abstract
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I. A. Kiseleva, K. A. Potashova |
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| No 3 (2025) |
The Image of the Estate and Estate Life in M. Sholokhov’s “And Quiet Flows the Don”: Innovation and Reception of L. Tolstoy’s Heritage |
Abstract
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V. G. Andreeva |
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| No 3 (2025) |
The Wolf Motif in the Early Stories of M. A. Sholokhov: Folklore Traditions and the Author’s Model of the World |
Abstract
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T. А. Gridina, N. I. Konovalova |
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| No 3 (2025) |
Russian National Concept of “Longing” in the Epic Novel by M. Sholokhov “And Quiet Flows The Don” |
Abstract
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N. Yu. Zheltova |
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| No 3 (2025) |
Sholokhov’s Theme on the Pages of the magazine “Zvezda” in the Context of the Literary-Critical Process of the 1920s – early 1940s |
Abstract
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S. А. Vasiliev |
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| No 2 (2025) |
Oriental Narrator’s Image in Leonid Leonov’s Short Story “Tuatamur” |
Abstract
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K. V. Sanatov |
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| No 2 (2025) |
The Function of Irony in the Poetic Duality of P. N. Mamonov in “Sounds of Mu” Period |
Abstract
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O. S. Kharitonov |
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| No 2 (2025) |
Variations of the Motives of Retribution in the Stories of A I Kuprin of the 1890s |
Abstract
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A. O. Tikhomirova |
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| No 2 (2025) |
Author’s Assessment of the Emperor’s Sister in A. N. Tolstoy’s Novel “Peter The Great” |
Abstract
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S. M. Chervonenko |
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| No 2 (2025) |
A Gothic Novel: Origin and Evolution |
Abstract
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V. V. Bezrukova |
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| No 2 (2025) |
Why didn’t the Ballad Become a Horror? |
Abstract
PDF (Rus)
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A. A. Kozin |
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| No 2 (2025) |
Poetic Cosmology of G. R. Derzhavin |
Abstract
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K. A. Potashova |
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| No 1 (2025) |
“The Russian Soul” in English-Language Criticism in the Early XX Century and Today |
Abstract
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D. Souchkova |
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| No 1 (2025) |
Literary and Theatrical Parody in the Context of the Discussion on the Development of the National Theater of the Early 20th Century |
Abstract
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A. S. Kirillova |
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| No 1 (2025) |
Portrait of the Wandering Generation in the Novel by Elena Posvyatovskaya “Vazhenka” |
Abstract
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S. V. Krylova |
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| No 1 (2025) |
Retardation in Drama (To Clarify the Concept) |
Abstract
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A. I. Lebedeva |
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| No 5 (2024) |
The Motif of Spiritual Pilgrimage in M. Yu. Lermontov’s Poem “The Branch of Palestine” |
Abstract
PDF (Rus)
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G. V. Kosyakov |
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| No 5 (2024) |
The Role of Numerical Semantics in M . Yu . Lermontov’s Unfinished Novels “I Want to Tell You…” and “Stoss” |
Abstract
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S. А. Ozerkin |
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| No 1 (2025) |
About the Architectonics of Evgeny Vodolazkin’s Novel “Chagin” |
Abstract
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S. V. Ovsyannikova |
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| No 1 (2025) |
The Image of the Forest as a Part of Eternal Nature in the System of L. N. Tolstoy’s Artistic and Philosophical Views |
Abstract
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I. B. Pavlova |
| |
| No 1 (2025) |
On Some Features of the Organization of the Subject Structure of A. A. Galich’s Songs |
Abstract
PDF (Rus)
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O. Yu. Kazmirchuk |
| |
| No 5 (2024) |
Lermontov and the Mythopoetics of Russian Symbolism |
Abstract
PDF (Rus)
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M. V. Yakovlev |
| |
| No 5 (2024) |
Lermontov’s Motifs in A. P. Chekhov's Story “The Duel”: The Reader’s Outlook of the Protagonist and the Transformation of Artistic Form |
Abstract
PDF (Rus)
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T. А. Alpatova |
| |
| No 4 (2024) |
Shakespeare In the Creative Consciousness of A. S. Griboedov: Historical-Functional Aspect |
Abstract
PDF (Rus)
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A. A. Tevyashev |
| |
| No 5 (2024) |
Greek Motifs in the Works of M.Yu. Lermontov |
Abstract
PDF (Rus)
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I. S. Yukhnova |
| |
| No 5 (2024) |
Samarin’s List of Lermontov’s Poem “Valerik” (1840): History and Meaning |
Abstract
PDF (Rus)
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I. A. Kiseleva, K. A. Potashova |
| |
| No 1 (2025) |
Artistic Reception of the Gospel Parable of the Sower in Russian Poetry of the 19th Century |
Abstract
PDF (Rus)
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G. V. Kosyakov |
| |
| No 1 (2025) |
Mythopoeical Comprehension of History in the Novels “The Abode” by Z. Prilepin and “My Children” by G. Yakhina |
Abstract
PDF (Rus)
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I. P. Sapunova |
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| No 3 (2) (2024) |
Italian Text of Pushkin |
Abstract
PDF (Rus)
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I. V. Dergacheva |
| |
| No 3 (2) (2024) |
A. S. Pushkin on the Literary Pages of the 1920–1930s and Some Local Aspects of Permanent Pushkin Studies |
Abstract
PDF (Rus)
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L. F. Alekseeva |
| |
| No 3 (2024) |
The Functional Significance of the Image of Tears in the Works of V. Mayakovsky and B. Ryzhy |
Abstract
PDF (Rus)
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M. V. Silaeva |
| |
| No 3 (2024) |
V. P. Kataev’s Comedy “The Road of Flowers”: Allusions and Social Component |
Abstract
PDF (Rus)
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R. O. Khalilov |
| |
| No 4 (2024) |
The Image of Autumn in the Lyrics of S. M. Solovyov of the 1920s |
Abstract
PDF (Rus)
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S. N. Soroka |
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| No 3 (2) (2024) |
Game with the Reader as a Means of Implementing the Historical and Literary Concept of A. S. Pushkin (On the Problem “Pushkin and Rococo”) |
Abstract
PDF (Rus)
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T. A. Alpatova |
| |
| No 3 (2) (2024) |
Genesis and Transformation of Madonna’s Image in the Poetry of A. S. Pushkin |
Abstract
PDF (Rus)
|
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M. V. Yakovlev |
| |
| No 3 (2) (2024) |
Anthropological Sketch of Academic D. N. Anuchin about A. S. Pushkin and its Preparatory Handwritten Materials in the Department of Manuscripts of the Russian State Library |
Abstract
PDF (Rus)
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M. S. Krutova |
| |
| No 3 (2) (2024) |
Echoes of A. S. Pushkin's Poem “The Fountain of Bakhchisarai” in the Artistic World of M. Y. Lermontov |
Abstract
PDF (Rus)
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I. A. Kiseleva, K. A. Potashova |
| |
| No 3 (2) (2024) |
On the Question of the Caucasian Period of Pushkin’s Work |
Abstract
PDF (Rus)
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S. M. Makhmudova |
| |
| No 2 (2024) |
International Scientific Conference “VI Smirnov`S Readings” |
Abstract
PDF (Rus)
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V. Klimchukova |
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| No 2 (2024) |
Mathematics as the Principle of Artistic Thinking: On the Question of Correspondences between the Novels Petersburg by A. Bely and We by E. Zamyatin |
Abstract
PDF (Rus)
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Zhang Linlin |
| |
| No 2 (2024) |
The Duel Between Pechorin and Grushnitsky as Protagonists’s Judgement over the World in the Novel “A Hero of Our Time” by Mikhail Lermontov |
Abstract
PDF (Rus)
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Yawen Zhang |
| |
| No 3 (2024) |
“Urban Text” in Nabokov’s 1920s Works: St. Petersburg vs Berlin |
Abstract
PDF (Rus)
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Zhu Ziwei |
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| No 1 (2024) |
Lyric-Philosophical Metatextuality in the Poetry of B. Okudzhava |
Abstract
PDF (Rus)
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E. E. Ivanov, G. P. Ivanova |
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| No 1 (2024) |
The Story of Parasha Lupalova in the Works of the First Half of the 19th Century: Formation of a Sustainable Plot |
Abstract
PDF (Rus)
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N. N. Puriaeva |
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| No 1 (2024) |
Problems and Spiritual Meaning of Mikhail Elizarov’s Story “The Money-Changer” |
Abstract
PDF (Rus)
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S. V. Krylova |
| |
| No 5 (2023) |
Principles of Creating the Verbal Portrait in A. Green’s Early Prose |
Abstract
PDF (Rus)
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Rui Zhang |
| |
| No 4 (2024) |
The Farmstead Chronotope in G. Yakhina’s “Children of the Volga” |
Abstract
PDF (Rus)
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Jiaxin Zhang |
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| No 4 (2023) |
SOME TRENDS IN CONTEMPORARY RUSSIAN POETRY (ON THE EXAMPLE OF A. ZAKHAROVA, P. SHIBEEVA, N. ZAKHARTSEVA, E. KASYAN) |
Abstract
PDF (Rus)
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J. A. Kumbasheva |
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| No 2 (2024) |
Generation of “Fathers” vs Generation of “Children” in Modern German Literature (Using the Example of B. Schlink’s Novel “The Weekend”) |
Abstract
PDF (Rus)
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A. Gushchina |
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| No 1 (2024) |
“La Sidonie” (1637) by J. Mairet: Tragedy or Heroic Tragicomedy? Experiment of the Autor with Genre Form |
Abstract
PDF (Rus)
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L. A. Simonova |
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| No 1 (2024) |
Literary Portrait of the Author of “Dushenka” in N. M. Karamzin’s Article “About Bogdanovich and His Works” |
Abstract
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S. A. Dzhanumov, A. D. Petukhov |
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| No 4 (2023) |
DOSTOEVSKY AND SPIRITUALISM: ON THE SETTING OF THE PROBLEM |
Abstract
PDF (Rus)
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O. V. Ustimov |
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| No 5 (2022) |
Российское пространство и время в европейском сознании XVIII века (на материале произведений С.Г. Гмелина) |
Abstract
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, |
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| No 5 (2022) |
СТИЛЕВОЕ СВОЕОБРАЗИЕ СКАЗОК М.Е. САЛТЫКОВА-ЩЕДРИНА |
Abstract
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| No 4 (2022) |
«Отражение диалектической противоречивости перестройки сознания крестьянина-единоличника в книге очерков Ф.И. Панферова «В предутреннюю рань» (1927)» |
Abstract
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, |
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| No 5 (2022) |
КИТАЙСКИЙ РЕАЛИСТИЧЕСКИЙ ТЕЛЕСЕРИАЛ «Я ЮЙ ХУАНЬШУЙ»: САМОИСКУПЛЕНИЕ СОВРЕМЕННОГО «МАЛЕНЬКОГО ЧЕЛОВЕКА» |
Abstract
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| No 5 (2022) |
САПОГИ ДОСТОЕВСКОГО: ХУДОЖЕСТВЕННАЯ ДЕТАЛЬ В ОНТОЛОГИИ ПИСАТЕЛЯ |
Abstract
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| No 3 (2023) |
LEONID LEONOV’S «BADGERS»: THE AUTHOR IS AGAINST THE CONDITIONAL IMAGE OF THE WRITER |
Abstract
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D. Zavarov |
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| No 3 (2023) |
SCHISM IN A. N. TOLSTOY’S LITERARY COMPREHENSION (ON THE EXAMPLE OF THE NOVEL «PETER THE GREAT») |
Abstract
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S. Chervonenko |
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| No 3 (2023) |
MIGRATION DISCOURSE IN THE RUSSIAN-LANGUAGE VERSION OF F. BACKMAN’S NOVEL «THE SECOND LIFE OF UWE» |
Abstract
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M. Rarenko |
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| No 2 (2023) |
The Drama “Thunderstorm” by A. N. Ostrovsky as the Object of the Polemic of L. Tolstoy with N. Doblolyubov |
Abstract
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I. B. Pavlova |
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| No 2 (2024) |
The Inverted World of Mentally Ill Patients Depicted by Russian and Chinese Doctor-Writers (Based on the Works of A. P. Chekhov and Lu Xin) |
Abstract
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Shilei Ning |
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| No 2 (2023) |
“Russian Odyssey” by A. N. Ostrovsky (The Path of Historical Russia and the Fate of the Hero) |
Abstract
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G. V. Mosaleva |
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| No 2 (2023) |
Ostrovsky in Turgenev’s Assessment: Reflections on the Prospects for a Socio-Psychological Theater |
Abstract
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I. A. Belyaeva |
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| No 2 (2023) |
“The Beauty Trap” in Artistic Anthropology of A. Ostrovsky |
Abstract
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T. A. Alpatova |
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| No 2 (2023) |
“The Hero in the Study ...”: The Personality of the Writer in S. V. Maksimov’s Essay “Alexander Nikolaevich Ostrovsky” (1897) |
Abstract
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I. A. Kiseleva, K. A. Potashova |
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| No 1 (2023) |
HISTORICISM OF EVERYDAY LIFE IN THE CAUCASIAN CYCLE OF LERMONTOV’S DRAWINGS OF 1840–1841 |
Abstract
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I. A. Kiseleva, K. A. Potashova |
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| No 1 (2023) |
PERCEPTION AS A NARRATIVE CATEGORY IN MIKHAIL SHISHKIN’S LARIONOV’S REMINISCENCES AND PISMOVNIK |
Abstract
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G. A. Savelyev |
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| No 1 (2023) |
K. VONNEGUT AND HIS WORKS AS A REFLECTION OF PERSONAL TRAUMA |
Abstract
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V. E. Belyaeva, G. V. Streltsova |
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| No 1 (2023) |
IDEOLOGICAL AND AESTHETIC PROGRAM OF N. M. KARAMZIN IN THE ARTICLE «PANTHEON OF THE RUSSIAN AUTHORS» |
Abstract
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S. A. Dzhanumov, A. D. Petukhov |
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| No 3 (2023) |
AZERBAIJANI‒RUSSIAN LITERARY RELATIONS: SOCIO-CULTURAL FACTORS AND MUTUAL ENRICHMENT OF LITERATURES |
Abstract
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N. Aliev |
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| No 5 (2022) |
STYLISTIC ORIGINALITY OF M. E. SALTYKOV-SHCHEDRIN’S TALES |
Abstract
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S. N. Kolosova |
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| No 5 (2022) |
RUSSIAN SPACE AND TIME IN THE EUROPEAN CONSCIOUSNESS OF THE 18TH CENTURY (ON THE MATERIAL OF S. G. GMELIN’S WORKS) |
Abstract
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A. V. Mishin, L. A. Mishina |
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| No 5 (2022) |
CITATION OF THE HOLY WRIT IN HAGIOGRAPHIC WORKS (ON THE EXAMPLE OF THE LIFE OF STEPHEN MAKHRISHCHSKY) |
Abstract
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P. D. Sadykov |
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| No 5 (2022) |
V. P. KATAEV’S COMEDY “A MILLION TORMENTS”: CRITICAL AND IRONIC ASPECT |
Abstract
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R. O. Khalilov |
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| No 5 (2022) |
I AM YU HUANSHUI: SELF-REDEMPTION OF A CONTEMPORARY “LITTLE MAN” |
Abstract
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Yunsheng Ju, T. N. Lobanova |
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| No 5 (2022) |
DOSTOYEVSKY’S BOOTS: ARTISTIC DETAIL IN THE WRITER’S ONTOLOGY |
Abstract
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T. A. Alpatova |
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| No 5 (2022) |
PHILOSOPHICAL PROBLEMS IN THE POETRY OF ANNA BUNINA |
Abstract
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Hengsin Gong |
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| No 4 (2022) |
RELATIONSHIP OF EPIGRAPHS AND TEXT IN A. S. PUSHKIN’S STORY “THE QUEEN OF SPADES” |
Abstract
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S. A. Dzhanumov |
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| No 4 (2022) |
MYTHOGENIC AND MYTH-CREATING POTENTIAL OF IMAGES IN FOREIGN LITERATURE OF THE XIX CENTURY. ROMANTICISM (PART I) |
Abstract
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A. A. Kozin, N. A. Litvinenko, I. E. Lunina, O. N. Redina |
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| No 4 (2022) |
REFLECTION OF THE DIALECTICAL CONTRADICTION OF THE RESTRUCTURE OF THE PEASANT-INDIVIDUAL CONSCIOUSNESS IN F. I. PANFEROV’S BOOK OF ESSAYS “IN THE EARLY MORNING” (1927) |
Abstract
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O. M. Kultysheva, O. S. Rashchupkina |
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