The content meaning of the
notion «interdiscourse» is disclosed from the
point of view of the French linguistic school.
An attempt is made to show that interdiscourse
is given in an utterance empirically and that the
means to reveal it have a linguistic nature.

The article is devoted to historical-
etymological analysis of onims and to
reveal separate (sub)ethnonims of North-East
Caucacasus and Daghestans Turkic languages,
which are reflected in the late oldrussian (second
half of ХIII -ХУ centuries) book tradition.
Onims, Bulgarian in his origin, localize
on North-East Caucacasus, whereas Kumykian
subethnonims represent in neighbouring region
- in Daghestan. The special features of
analysed wordes reflections in the late oldrussian
language allowed to reconstruct their basic
forms in Turkish languages of North-East Caucacasus
and Daghestan.

Representation of the future
makes the major part of an inner world of the
person. The human thinking is essentially
turned to the future. Language contains a considerable
quantity of the facts testifying to the
importance of representation of the future in the
mental world of the person. Especially brightly
idea of the future is presented in predicate lexicon.
A studying subject in the present article
were the predicates entering opinion on the future.
In research predicates of three semantic
classes are presented: 1) assumption predicates;
2) belief predicates; 3) intention predicates.

The article analyses different
case of using performatives to express request.
It deals with imperative speech acts containing
performatives to ask for?K and request.

In this article we consider amalgamate
pronounced combinations of two equal
forms of different verbs in which a predicative
recognition is characterized through another
action. We pay attention to relations of lexical
senses of components of similar combinations.

In article the title of Sumarokovs
Opekun is interpreted; the principle of
doubling to essence and its empty reflection
is investigated; language factors of its manifestation
are identified. The title f the play and the
name of the hero-antagonist are constructed on
the principle of philosophical overlap, when the
essence of prevails is over its empty reflection.
The name of the comedy «Opekun» outlines the
semantic field to better understand the authors
intentions and character of the protagonist;
household specifics conjugated with ethical and
philosophical reflections, duality of motivation
created opposition to physical / spiritual, objective
and figurative sense, opposed in rem and
perfect.

This paper subjects an approach
to formalized construction of the conceptual
structure distinctive to the literary text author
based on word frequency and further thematic
(ideographic) analysis. Thus M. Bulgakhovs
conceptual structure is presented as a set of
denotative spheres expressed in his works to a
greater extent than that in his contemporary
writers. The most important spheres are provided
with the necessary linguistic commentary.

The question on the status of a
copular is considered to be and copular verbs.
It is supposed, that it is more expedient to define
a copular not as a special service part of
speech, but as the functional-syntactic category
which is representing unity own category of
value, distinct from category values of a verb,
formal means of its expression and specific copular
functions. A copular verbs form is caused
by the basic function - expression of predicative
values of the sentence.

In the article the basic features
of the first slavic (Preslavs) translation of
Scala Paradisi of Johannes Climacus under the
most ancient Russian manuscript of the middle
of XII century in comparison to the basic features
of translations of John Ekzarh Bolgarsky
came to light. In translation of Scala Paradisi of
Johannes Climacus all main principles of translational
activity of John Ekzarh Bolgarsky are
reflected. It allows to assume, that Preslavs
translation of Scala Paradisi is executed either
by John Ekzarh, or translators of his school.

This article describes the correlation,
which is possible between the signs,
which are used in description of phonetic segmental
units.
The author resumes, that the only language
system can suggest, which signs are the
most appropriate for the description of phonetic
segmental units and what is the best sign
structure which can be used for to characterize
different systems.

The different approaches to
analysis of position of parenthetical words in a
sentence is shown. Pragmatical essence of parenthetical
words and their role in communicative
structure of sentence is examined. Parenthetical
word is not a component of a sentence,
but a component of expression.

The idea of happiness is one of
the central and significant parts of Russian
paremiology. Proverbs which represent the
understanding of happiness are more often
common instructive statements adjusting the
perception of lifestyle, habits and dispositions
of the Russian. Happiness is characterized by
conceptual signs as predestination, unpredictability,
selectivity, inconstancy, unreality

In article features of representation
of concepts presented in opposition in
the belles-lettres are revealed. On the material
of the poetic diction of A. Achmatova the author
investigates boundary zonec of the concepts good - evil which are the basic concepts of
culture of any people.

This article is wrote in the
frames of cognitive linguistics contains the
comparative analysis of the lingual representations
of the concepts smartness and foolishness
in the Russian and Czech languages
world. The analysis has been based on proverbs.
The analysis of the representations of the concepts
has been revealed the similar and distinguishing
features of the national understanding
of mind and foolishness and is one stage of
the description of languages world especially
important for profound comprehension of national
concept sphere in whole.

The article deals with the preconditions
for the developing of the communicative
strategies of alienation. The wish or desire
of the speaker to exert influence upon the
listener and the speech aggression as the purposeful
deformation of the listeners communicative
world - outlook in the speech, value and
cognitive spheres are given as these preconditions.
The basic of the classification presents
the ultimate speakers goal in the communicative
situation.

The present article is devoted to
colloquial speech formation as a stylistic category
of the Russian standard language of the first
half of XIX century. The article is intended to
analyze the functional field of the word muzhik*
and its development as stylistically marked
means of language in literary compositions of
A.S.Pushkin. Explanatory dictionaries of the
Russian language as well as The Dictionary of
language of A.S.Pushkin have been used for the
analysis

The present article is devoted to
sacred meaning of the lexeme besom and its
functioning in Slavic languages (Russian and
Bulgarian). The author also researches where
sacred nuances of the lexeme besom appear
from and distinguishes in what Slavic languages
the kernel exists. Emotional and associative
component plays an important role while distinguishing
sacredness. The exploration is based
on folkloric materials (fairy tales, folk songs,
proverb) and magical texts (charms and spells).

The article deals with the peculiarities
of the space category representation in
the Vladimir regions toponymy. The author of
the paper makes a conclusion concerning defining
the national ways of space parametrization,
underlying the regional toponymic worldview,
and their differences from the principles of
structurizing the space category in the scientific
worldview.

Nouns in the form of a genitive
and prepositional case of a singular of a masculine
gender with the ending -u often act as an
indicator of colloquial and informal conversation
styles which in the text of a work of art
carry out significant functions. The scientists
name their as special cases. Conditions of reference
of nouns in the given forms to colloquial or
informal conversation style, their semantics,
functions and rate of the use in poetic texts by
A. Tvardovsky are considered and analyzed in
article.

The article deals with the peculiarities
of translation works and literarycritical
interpretation of I. Kreshev creative
activity of outstanding English romantic poet
Thomas Moore. The material for the analysis
was taken from the biography outline «Thomas
Moore», written by I. Kreshev, and published
in the magazine «The son of Fatherland» (1852,
№4), and some poetic interpretations from T.
Moore creative activity, such as «When your
true friend, when your admire?K», «I saw in
the morning, in a playful mood?K», «The Birth
of Harp», «The Latest Rose» («The latest rose
blooms lonely?K»), «The Fairy» («I know the
plants and the flowers?K»), «The Melody» («In
the Ganges valley, in the Eden of splendid
roses?K»). The analysis work includes a large
amount of historical-literary material (processors
and contemporaries of I.P.Kreshev conclusions
about T.Moore, earlier T.Moore poetic
works translations into Russian which were
translated by I. Kreshev), enable to make analogies
and to do comparison.

The article makes an effort to
ground possibility and necessity of studying
M. Lermontovs works as a religious and philosophical
system. Author states that basis of
Lermontovs works represent integral religious
and philosophical system. Key problem of Lermontovs
works, such as historical way of Russia,
the idea of individual religious choice and
human responsibility for it, struggle of good
and evil as a main content of historical process,
are determinant categories of individual and
social existence, and all that allows us to consider
Lermontovs works as a consequentially
pronounced ideological system. The author argues
that while studying Lermontovs works
as a phenomenon inspired by Russian spiritual
and cultural life it is expedient to apply both
achievements of literary studying and philosophical
thought.

In the article the aspects of the
poetic (art) style in works of A. Veselovsky of
1890-1900 years are considered. Author researched
the positions of the scientist for understanding
of such factor of style, as the genre
content of art product, and of such carriers of
style, as the plot-composition organization of
art text and art discourse (comparison, metaphor,
allegory, symbol). Also approaches of
A.N. Veselovsky to general poetic and prosaic
problems are investigated.

The article is devoted to the
critical notes of Saltykov-Shchedrin (in his cycle
of essays «Abroad») on the famous Pushkin
speech of Dostoevsky. The writers differed in
their opinions on the religious consciousness
of Russian peasantry, on the relation between
poor and ruling classes, on the predestination
of Russia. The polemic of two writers was
connected with the resistance of Belinsky and
Gogol, reflecting in their well-known letters.
These controversies were the evidance, how
difficult for the famous representatives of national
culture in XIX century was the decision
of the question, where was the common good
of Russia. But Saltykov-Shchedrin and Dostoevsky
were unanimous in the critical perception
of European bourgeous spirit, in the faith
in the future of their motherland.

The article considers the influence
of D. Diderots philosophic prose exerted
on creative work of M. Bradbury, a famous English
writer of the second half of the 20th century.
The book To the Hermitage represents the
reconsideration of the ideas of the 18th century
Enlightenment. The influence of D. Diderots
philosophic prose can be traced primarily in the
choice of genre. The comparative analysis of Diderots
works Jacques the Fatalist and Rameaus
Nephew and M. Bradburys novel To
the Hermitage reveals features common for
the both authors. The genre connection between
the texts is manifested through the use of the
interlocutory type of narration, mixed genre
forms and general genre freedom. This makes
it possible to characterize M. Bradburys novel
To the Hermitage as a development of the traditions
of D. Diderots philosophic prose.

The article examines the ethnographical
peculiarities of ancestral estate of M.
Saltykov-Schedrin, in centre of which stayed
Spas-Ugol village. The importance of the writer's
generation for the territory formation has
been traced since 1717. The original collection
of toponymic legends as well as folk stories, recorded
in Spas-Ugol village, the centre of the
Saltykovs' patrimony, and other neighboring
settlements during the folk and area studies in
1988 and 1992, is described partially. It is also
specially noted the way M. Saltykov-Schedrin
was executing the long-term plan of Imperial
Geographical Society, preparing the collection
of ethnographical description of Russia.

The article deals with national
sources of Pushkins spiritual and moral ideal,
his evolution as a creative personality, genesis
of his poetical inspiration and development
of his outlook on a national basis. The article
justifies the division of Pushkins creative development
into three periods. Revaluation of
values which took place during Mikhaylovski
period allows us to interpret Pushkins works
of that period referring both folk Russian outlook
and literary interests of Pushkin himself.
The article operates necessary source data and
researches. Special investigation is dedicated
to the tragedy Boris Godunov, the verse The
Prophet, the note Of public education and
some other works of Pushkin. Pushkin boldly
opposes the influence of outlandish ideology
and tensely reflects on the ways of Russian enlightment.
And this aspect of his thoughts has
an educative value for all those, who love Russia
and take responsibility for its fate.

In this article two significant
spiritually-aesthetic categories from poet-emigrant
V.A Smolensky`s creativity are considered.
They are music and silence. The analysis
of the concrete texts in comparison with some
works of the predecessors and contemporaries,
such as M. Lermontov, A. Block, A. Belyj, G.
Ivanov shows the Smolensky`s belonging to the
religious-philosophical line of Russian romanticism
and also the distinctive features of the
poets lyrics come to light.

The central motives of the two
first Tsvetaevas collections Evening album,
Magic light are analyzing in the article. The
young poets mother instilled love in Russian
and European folklore and other literary works
and those ones influenced the formation of the
poetic view of Tsvetaeva.

The article speaks about the
program thesis of Gogols literature-critical inheritance
on the originality of development in
Russian poetry.
The basis of work is the article of N. Gogol
«What is, finally, the essence of Russian poetry
and what is its feature», where the outstanding
Russian writer reflects on Russian poetry
sources.

In the article I. Shmelevs novel
The Nurse from Moscow , the importance, a
place and a role of an image of Nikolay Ugodnik
in a life of its heroes and Russian orthodox consciousness
are considered. The main themes of
the novel are the path of sufferings, delusion,
temptations. The icon and the prayer appear
here as an image of a spiritual power and ability
to resist to the world of a harm, as an output
from critical situations.

The article focuses on colour
and light symbolism in Thomas Hardys novel
Jude the Obscure. Hardys particular interest
in visual arts leads to the development of
deep symbolism of colours and light in the novel.
Its message is carried by the triad of colours
brown, grey, black. The colours and light
highlight the most significant moments in the
narration. The light patterns highlight positive
moments in the life of main characters and the
colours and light demonstrate his attitude to
dogmas. The colours and light express the dogmas,
the letter, which kills the main character.

The following article is dealing
with the problems of definition and understanding
of such concept as American dream and
its interpretation in the American literature.
The article is also undertaking an attempt to reveal
the paradox of American dream in relation
to the results of its practical realization by the
protagonist of Francis Scott Fitzgeralds novel
The Great Gatsby.