Psycholinguistic experiment can be referred
to as the most promising methods of studying different
grammar phenomena including communicams.
The article is devoted to considering this language phenomenon
as one of the elements of spoken language.
In the process of our psycholinguistic experiment fi rstly
we revealed that the composition of communicams is
not closed, it is constantly developing according to
the models usual for the language, then we defi ned the
senses actual for communicants and the personal perspectives
of the meaning of those communicams that
have the semantics of uncertainty/disagreement refl ecting
the psychological reality in the consciousness of the
language speakers.

The language subject is the word form that
occupies the exclusive substantial position within the
framework of the sentence. The language subject is the
supreme degree of representation of an ego-category in
the language when various intentions of a Speaker are admitted
as a language system, receive the opportunity of the
formal expression within the framework of the sentence.
There are the following means of expression of the language
subject: the form of the Nominative case, substantives
animateness, meaning of the agens in the passive
construction, meaning of the subject of lexical orientation
of a predicate, meaning of a theme of the statement. The
Nominative case is the culmination of an expression of
ego-category in the language. The form of the Nominative
case is the highest and the last step of process of the subjectifation
of the Speakers intention.
Subjectifation is a process of Speakers intentions
transformation (ego-category) into the language subject,
subjectivity is a result of the subjectifation process. In that
process the ego-category passes the following stages of
language development: implicit expression of an ego-category
in the sentence; an estimation; isolation; topicalization;
subjectivity.

This article is devoted to the concept of the
Feat in the language and hagiographic text. This concept
is examined from the historical and etymological,
lexicographic and contextual perspectives. During the
analysis it is established that the semantic amount of
concept of the Feat can be formulated as the tension
of spiritual forces in saving the soul, so the author argues
that concept of Feat falls into the category of spiritual
concepts and is one of the most important of hagiographic
concepts that belong to the Russian Orthodox
linguistic consciousness.

In the article, the author analyzes some
proper archaisms in «Two hundred years together» by
Aleksandr Solzhenitsyn. The research is devoted to
the problem of classifying the obsolete words to either
active or passive vocabulary - both of the language
and its speaker, a lingual personality. The author fi nds
components of description of proper archaic words as
elements of the writers idiostyle. She comes at the conclusion
that the named lexical units allow to extend the
semantics of the context by not only their meaning, but
also by the form. The author of the article considers the
masterful interweaving of archaic words into the contexture
of the work to be one of the most outstanding
characteristics of A. Solzhenitsyns idiostyle.

In the article the author made an attempt
to clarify the semantics and genus-specifi c relations of
«animal names» in comparative analysis of the Mongolian
and Russian languages with the references to
the Old Mongolian language on the example of the following
microgroups: names of horses, cows, sheep,
goats and camels. The analysis of the material helped
to reveal that the most common signs of microgroups
are «gender» and «age», this was fully caused by the
extra-linguistic reality, namely, by biological differences
of living organisms.

The article focuses on the relation of concepts
«confi x» and «сonfi хoid» as the key components
of the correlation «affi x-affi xoid». In the article the features
of confi xes and сonfi хoids as special derivational
formants of prefi x-suffi xal and compound-suffi xal ways
of word formation are considered. The results of comparative
analysis of confi x and confi xoid allow to speak
about isomorphism of the given units in the structural
and functional aspects, which provides a basis for recognition
of confi xoid as an independent formant in the
word formation.

This article analyzes the value component
of the concept «stinginess» in the Russian linguoculture
basing on the works of classical Russian literature. It
also reveals the essence of the value side of the concept
«stinginess» in the Russian linguoculture through the
linguocultural analysis of V. Karasik. This paper shows
the results of the defi nitional analysis of keywordsrepresentants
of the concept «stinginess». The author
analyzes the concept stinginess and its synonymous
lexical items, shows the basic parts of this concept at
the value level. The analysis allows to establish the
peculiarities of the value component of the concept
«stinginess» in the Russian linguoculture.

The article describes the results of linguistic,
historical and cultural analysis of the documents produced
by state structures of the fi rst decades of soviet
power in the Far North-East of USSR: records, written
requests, offi cial letters, programs, contracts, etc. which
were used by state executive branch in the northern territories
of Nikolaevsk-na-Amure district of Khabarovskiy
kray (which is currently a part of Magadan region). The
author shows up some special lexical, orthographical,
morphological, syntactical and stylistic features of the
mentioned documents. The author also marks out some
ways and methods of the further description of this extremely
weak examined archival material, which is introduced
into linguistic practice for the fi rst time.

The text of the novel by Anne Tyler Dinner
at the Homesick Restaurant is rich with phraseological
items different in semantic and stylistic aspects.
Considering stylistic connotation of phraseological items
and the sphere of their functioning, the phraseological
fund of the novel can be differentiated into three
traditionally accepted classes: neutral phraseological
items, colloquial phraseological items and bookish
phraseological items. There is a short description of
colloquial phraseological items and low colloquial
phraseological items in the article. The author highlights
colloquial and low colloquial phraseological items also
as emotional and expressive means in the text as well
as means for characters description.

The article is devoted to the vegetative
metaphoric research in terms of anthropocentric aspect.
This aspect can defi ne semantic features of the
paradigmatics plant - man in folkloric texts. Vegetative
metaphor is a term, which describes the folkloric
semantics of phytonym-lexemes, such as fl oret, leaf,
root, that allow to trace various kinds of archetypal
associations with positive and negative connotation.
The folkloric linguistic picture of the world reproduces
the metaphoric human perception of the natural reality.
The purpose of this research is to reveal the systematic
description of the folkloric semantics that functions in
idioms and actual linguistic situation.

The article is headlined The specifi c
feature of the semantic structure of the word гла-
гол in Old Russian language and language of Great
Russian, which determined thanks to the methodology
of component analysis. The present investigation
describes the analysis of the linguistic, historical,
etymological, monolingual dictionaries. Also the article
is devoted to the meanings of the word глагол in Old
Russian languages and language of Great Russian. We
consider the formation of the semantic structure of the
word глагол through the methodology of component
analysis. This abstract is signifi cant and interesting
because it touches upon the changes which have
happened in Russian language at different stages of its
development.

This article is devoted to the analysis of
function of the opposition white-black in the novel
The Luzhin defence by V.Nabokov. Detailed research
helped to reveal the cases of usual and occasional
usage of the antonymous pair white-black. The textual
analysis allowed to come to the conclusion, that the
antonymous pair white-black is a component that
combines structural elements of the text.

This article studies the change of stylistic
properties of lexical units as a result of dynamic processes
in the lexicon of Russian of past decades - stylistic
neutralization and stylistic redistribution. Stylistic
transformations are investigated on the example of
bookish lexicon that actively functions in the contemporary
journalistic discourse. Stylistic reorientation of language
signs, as a rule, is accompanied and caused by
semantic processes. The sphere of language signs and
their emotionally-expressional coloring are changed as
a result of semantic and stylistic transformation.

This paper is devoted to the typological
parallels between creative works of V.Trediakovsky and
N.Karamzin. The author analyzes the strategic behavior
of writers, peculiarities of their dialogue with a reader,
the form of narration. The analysis is based on «The
voyage to the island of love» by V. Trediakovsky and
«Letters of the Russian Traveler» and «Poor Liza» by
N. Karamzin. The conclusions are made about typological
similarity of writers (direction to autobiographical,
self-created strategies of narration, dialogue with the
prospective reader.)

M.Lomonosovs research and literary
works reformed the literary process in Russia and kept
the long and deep infl uence in esthetic life of the best
Russian writers. M.Saltykov-Shchedrin saw the value of
Lomonosovs mission as patriotic in literary process and
in social conscious. The satiric often quoted the aphorisms
of Lomonosovs works in his essays, novels and
articles. Saltykov-Shchedrins appreciated Lomonosovs
educational ideas and emphasized the democratism of
the genius.

This article highlights the role of play as the
main motif and a plot-weaving device in F. H. Burnetts
famous story «A Little Princess» (1905). The author addresses
the variety of factors which provide the balance
in the heroines life and investigates the unique ability of
hers to transform the hostile world for the better in the
process of play. Despite her school oppression, while
performing different imaginary roles, Sarah withstands
the social injustice of the Victorian period.

The article deals with the features of psychological
methods in the story Bolshoy shlem by L.
Andreev. Art methods used by the writer for characters
creation are reviewed in this article as a subsidiary tool
with help of which Andreev had an ability to express the
idea of his work in full. Besides the literary analysis, the
attention in the article is paid to the study of details and
symbols. In this article relationship between art atmosphere
of the composition and its content is emphasized.
Apart from revealing of psychologism features, important
for early works of Andreev motives and themes are
uncovered basing on the example of the story.

The author of the article studies the art features
of poem Selskiy chasoslov by S. Yesenin, one of
the most talented and original poets of the beginning of
20th century. Special attention is paid to dominant images
of the poem (their origins, symbolism, parallels).
Its also important that the analysis of the poem is done
in context of the epoch (attention is paid to the period of
the poem composition, to the authors attitude to events
of that time), and its also done in frames of the whole
authors work (parallels from authors poems are found
between elements of the plot and analysed images).
Conclusions are presented at the end of the article.