Upon analyzing Russian phraseologically bound sentences such type as What gifts he has not been bought just! from various aspects, their formal and semantic organisation has been appeared, their linguistic essence has been described and semantic structures have been characterized. All the above have given opportunity to propose their semantical, structural and grammatical classifications and to approach the task of creating a general typology of these units. It has determinate for syntax theary оf simple sentence in the Russian language.

The article addresses the problem of the co-occurrence of general terminology and, in particular, the process of formation of compound names. It provides a description of the most relevant models of compound non-predicative term formation, the method of word connection in non-predicative compound formations. Two-component formations are regarded as the most wide-spread among the non-predicative compound terminological formations. Word borrowings are distinguished as independent components of a term or a functionally determined name. The article deals with a special group of terms and functionally determined names which represent a combination of nouns either with or without preposition; including pronouns, adjectives and verbal combinations.

The article analyses one of the complex components of idiom style of the author: phraseological one. Idioms are very figurative and expressive, often contain national specific elements, and this makes translation a difficult task. The author describes the fundamental ways of a phraseological translation and emphasizes parameters of idioms comparison in different languages, namely: actual semantics, stylistic coloring, phraseological image. Thanks to availability and universal inner forms in all languages we can identify 4 types of phraseological equivalents, identical in meaning, as well as phrases with little semantic similarity. The author chose Turgenev's works, as their language is literary, enriched by alive lexical and idiomatic elements, which to date have not been studied in detail. The analysis of phraseological relations between languages is intended to refute the opinion that idioms can not be translated. Even in cases when there is not a straight image correspondence, one can find identical idioms in different languages, built by one model, which is due to universal laws of human thinking. The analysis of various examples of Turgenev works in different styles allows to come to the conclusion that despite of differences between ways of expressions in the construction of common phraseological model, the meaning of idiom, stylistic allocation are translated very accurately, in most cases such translation is the only possible one.

This article analyzes the substantive metaphorical phrases denoting paints of flora - color palette reflected in the poetry of the Silver Age. The author highlighted general linguistic and individual writers' metaphors and offered their interpretations based on the dictionary definitions of tokens and implemented in the text connotations. The article also shows cases of substantive metaphorical phrases in the coding function. The conclusion is made about the rich potential of values (relationships), incorporated in the standard models of noun phrases and that provide ample opportunities for new combinations for metaphors.

The article is dedicated to the description of basic component of complex predicate with link-verbs of pritvoritsa - pritvoryatsa and prikinutsa - prikidyvatsa. The article demonstrates the semantic groups of nouns utilized in the form of predicative instrumental case with these link-verbs. The analysis of constructions of complex predicate shows that basic component is expressed by the word and word-combination with definite semantics and characterizes the human's behavior from different perspectives.

The article is devoted to the analysis of the structure of the composite - the description of the Don River. On pages of the novel «Quiet flows the Don» by M. Sholokhov the Don is pictured in different seasons. Seasonal composite-descriptions are united by the name the Don in the meaning "river¹, which is frequently repeating, organizes the content of the novel and is a distant means of connection of its fragments. Composites as fragments of the text have hyper-hyponymic organization. The Don serves as a hyperonym and is characterized by such hypo-nyms as waves, river-banks, pieces of ice, pebbles, ooze, stream, wind, etc.

The Russian language has a number of words and phrases which mark relationships of inference (итак, таким образом, следовательно, по-твоему, еtс). Dictionaries tend to interpret them similarly, however analysis have shown that they are not always interchangeable. This article tries to detect and describe characteristics which affect their interchangeability. These characteristics include semantics of markers of inference, their syntactic and functional features as well as characteristics of components of inference such as explicit/implicit and perceptive/informative rationale, relevant/irrelevant, reliable/unreliable conclusion, etc.

The article considers the creativity of po Abstract. The article considers the creativity of poorly known Russian writer of the end of the 18th — beginning of the 19th century. Pavel Lvov (1770 - 1825). On the example of the novel «Boyar Matveev» the conclusions are made about the peculiarity of understanding of historical memory, cognitive and educational role of literature on the specifics of historicism in Russian stories of the turn of the 18th - 19th centuries. The paper analyzes the connection between the Lvov's story and N. Karamzin's traditions of prose (story «Natalia, Boyar's daughter»), the facts of convergence and divergence of the authors.

The literary research presented in this article is focused on the individualistic traits which determine the stylistic peculiarity of Yuri Kublanovsky's poetry. The metaphor serves not only as an instrument in the literary work of Yuri Kublanovsky but also as a method of his poetic thinking. Such an "attitude” of the poet to the metaphor allows the author of this article to try to track "from Pushkin” the "genealogy” of a poet who has succeeded in putting together the "harmonious school” of Russian poetry and practical experience of the acmeists.

The author analyzes a satirical series «Innocent tales» by philosopher and novelist I. Ilyin. The philosopher appears in article as the deep researcher of Russian folklore and culture of Russia and the talented writer, whose works are characterized by brevity, interest to depths of national character, subtle humour and passionate love to Russia. Traditions of legends, fairy tales, Christmas stories, jokes are accurately traced in Ilyin's tales, refracted according to features of pamphlet style. These works of the philosopher are addressed primarily to his contemporaries, but impress readers with their freshness and relevance today.