Literary Cinematographic Techniques in the Book «The Ice March» by R. Gul

Abstract

The article is devoted to the actual problem of literary cinematographic techniques in the book of Roman Gul, writer of the first wave of the Russian emigration - “The Ice march” (1921). The writing is analyzed in terms of cinematographic techniques. This paper presents the their role in uncovering ideological concept of the book. The attention is drawn to the influence of cinematographic techniques, such as montage, close up, long shot, point of view, punctuation and graphical design of the text; to the movement of the narrative and its visual perception.