HISTORICISM OF EVERYDAY LIFE IN THE CAUCASIAN CYCLE OF LERMONTOV’S DRAWINGS OF 1840–1841

Aim. We present Lermontov’s drawings of 1840‒1841 as a pictorial diary of his Caucasian life, illustrating the principle of documentalism, which is significant for the poet’s artistic method.

Methodology. The object of the research is Lermontov’s graphic works from the poet’s album of 1840–1841 (Department of Manuscripts of the Russian National Library, Fond 429, № 11) and P. A. Urusov’s album. The graphics are considered as a single Caucasian cycle of drawings that visually complement Lermontov’s poetic creativity. The methodology of the paper relies on the use of descriptive, biographical, cultural-historical, and aesthetic approaches that allow Lermontov’s drawings to be presented in the context of understanding his worldview and artistic method.

Results. The paper reveals that the Caucasian cycle of Lermontov’s graphics is characterized by documentary and diary nature. Capturing everyday life, Lermontov authorizes its historical value, thereby affirming the idea of creating history here and now. Lermontov’s drawings have a character of complementarity in relation to his literary heritage, and also provide valuable auxiliary information about the Caucasian life of that time in general and the specific environment surrounding the poet.

Research implications. The appeal to Lermontov’s graphics from the Caucasian albums makes it possible to trace the poet’s military life from 18 June to August 1840 and to clarify his movement to the military camp. The analysis of the drawings in relation to the «Journal of Military Operations» confirms the hypothesis about the possibility of Lermontov logging the ongoing military events on behalf of General A. V. Galafeev.

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