THE ORIGINS OF COLOR EXPRESSIONISM IN THE NOVEL «MOSCOW» BY ANDREY BELY
          
      
    
      
    
                        
          
    
  
      
  
    
                
            Abstract
            Andrey Bely is an outstanding representative of the expressionism in the Russian literature. In «Moscow», we note the increased attention of the writer to a verbal painting similar to works of artists-expressionists. Expressionism of A. Bely is an original phenomenon, which was manifested in coloristics novel «Moscow». Its origins are the peculiarities of writer’s attitude, N. Gogol’s prose, the bright colors of nature, fine art works of the Middle Ages, the Renaissance, 17th century (Europe) and 20th century (Russia), the Gospel. The variety of sources resulted in wealth of coloristics «Moscow». Color often has a symbolic semantics. A. Bely’s coloristic experiments were fruitful for the development of ornamental prose - a special direction in the Russian literature of the twentieth century.
         
              
      Keywords
      
                
        «Москва»,        
        
 Андрей Белый,        
        
 колористика,        
        
 истоки,        
        
 экспрессионизм,        
        
 орнаментальная проза,        
        
 «Moscow»,        
        
 Andrey Bely,        
        
 color use,        
        
 origins,        
        
 expressionism,        
        
 ornamental prose               
      
             
        
                        		
                     
    
      
                  About the Author
              
               
             Y. . Shulova
         
        
                        N. Vereshchagin Vologda State Milk Academy
        
Russian Federation
    
				    
    
    
          
     
        
        References
        
          
                                                   
               
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              2. Белый А. Москва. - М.: Советская Россия, 1989. - 769 с.
                                         
               
              3. Белый А. Петербург. - М.: Наука, 1981. -696 с.
                                         
               
              4. Белый А. Символизм как миропонимание. - М.: Республика, 1994. - 524 с.
                                         
               
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              6. Кандинский В. О духовном в искусстве. - М.: Гилея, 2001. - 390 с.
                                         
               
              7. Фоли Дж. Энциклопедия знаков и символов. - М.: Вече, 1997.- 512 с.
                                                  
           
          
         
        
  
     
    
    
    
    
 
  
    
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