MODERNIST SPECIFICITY OF LATE RUDYARD KIPLING’S IDIOSTYLE
https://doi.org/ 10.18384/2310-7278-2015-4-87-91
Abstract
This article provides a comprehensive analysis of the heritage of the late Rudyard Kipling’s works in the context of artistic trends of contemporary literary discourse. An attempt is made to reveal the specificity of late Rudyard Kipling’s idiostyle transformation and the subject matter of his late works. The research is also focused on consideration of the artistic heritage of the writer not only from the perspective of literary criticism and linguistics, but the philosophy and psychology. Besides, the mythopoetic character of thinking and central in his literary biography religious motif are revealed.
Keywords
поздний Редьярд Киплинг,
модернизм,
идиостиль,
поэтика жанра и стиля,
первая мировая война,
литературоведческий дискурс,
late Rudyard Kipling,
modernism,
idiostyle,
poetics of genre and style,
First World War,
literary discourse
About the Author
J. . Blomquist
Taurida National V. Vernadsky University
Russian Federation
References
1. Ищенко Н.А. «Редьярд Кіплінг: до історії створення та функціонування вірша «Мій хлопчик Джек» // Світова література на перехресті культур і цивілізацій. Збірник наукових праць. Вип.3. Сімферополь: Крим. Архів, 2011. С. 94-101
2. Kipling R. Rudyard Kipling’s Verse. Definitive Edition / Rudyard Kipling. London: Hodder and Stoughton Limited, 1946.
3. Parker B. In three dimensions/ Bel Parker // The Kipling Journal. 2012. № 347. P. 20-21.
4. Scragg A. Coming to terms with trauma: Kipling, psychology and ‘In the same boat’ // The Kipling Journal. 2014. № 353. P. 46-59.
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