The Functional Significance of the Image of Tears in the Works of V. Mayakovsky and B. Ryzhy
https://doi.org/10.18384/2949-5008-2024-3-103-110
Abstract
Aim. The purpose of this study is to identify similarities and differences in the functional features of the image of a tear in the artistic system of V. Mayakovsky and B. Ryzhy.
Methodology. The article provides an analysis of the works devoted to the study of the figurative system of V. Mayakovsky and B. Ryzhy. The main content of the study is the analysis of lyrical texts. Special attention is paid to the subtext connections of the poets’ lyrics with the philosophy of Christianity. The methodology consists in revealing the sources of common motifs and images of the artistic system of poets.
Results. According to the results of the study, a conclusion was made about the different functional significance of the image of a tear in the poetic world of V. Mayakovsky and B. Ryzhy. With obvious coincidences in the aesthetics of the poets, the reasons for the different semantics of the image of tears are revealed, which allows us to create a more complete picture of the author’s concept of Mayakovsky and Ryzhy.
Research implications. The problems of the little-explored work of B. Ryzhy have been updated. The results can be used in universities when studying the course of the history of Russian literature of the twentieth century and to compile comments on the publication of poems by B. Ryzhy.
About the Author
M. V. Silaeva
Federal State University of Enlightenment
Russian Federation
Russian Federation
Marina V. Silaeva – Cand. Sci. (Philological Sciences), Assoc. Prof., Department of Russian and Foreign Literature, Faculty of Russian Philology
ul. Very Voloshinoi 24, Moscow Region, Mytishchi 141014
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