FEATURES OF THE FORMATION OF AESTHETIC VIEWS OF S. DURYLIN: MODERNIST «STRUCTURES OF EVERYDAY LIFE» AND THE SOVIET CONTEXT

Abstract

Aim. To consider the mutual influence of the modernist "structures of everyday life" of the "silver age" and, on the other hand, the context of the Soviet era on the formation of the creative style of S. Durylin. Methodology. The article examines the mutual influence of the "structures of everyday life" that influenced the formation of S. Durylin as a writer: the "silver age" and the official discourse of the Soviet era. The specifics of this mutual influence is reflected in the archetype of the "corner", reflected in the titles of the main S. Durylin's books: "In the native corner" and "In our corner". Within hidden prose, the author finds a way to preserve himself as an original person. The external form of reconciliation with the Soviet "structures of everyday life" was a theater critic's profession. The article uses the method of comparative analysis. Results. The analysis showed that Durylin as a writer was formed by symbolism. The modernist "structures of everyday life" laid the foundations of the worldview that would later become religious. Research implications. The article results can be used in the preparation of textbooks for the first half of the twentieth century.