Poetics of Sumarokov's comedy title "Opekun"

Abstract

In article the title of Sumarokovs
Opekun is interpreted; the principle of
doubling to essence and its empty reflection
is investigated; language factors of its manifestation
are identified. The title f the play and the
name of the hero-antagonist are constructed on
the principle of philosophical overlap, when the
essence of prevails is over its empty reflection.
The name of the comedy «Opekun» outlines the
semantic field to better understand the authors
intentions and character of the protagonist;
household specifics conjugated with ethical and
philosophical reflections, duality of motivation
created opposition to physical / spiritual, objective
and figurative sense, opposed in rem and
perfect.