CINEMATOGRAPHY OF "MOSCOW" OF ANDREY BELY

Abstract

In article, the author studies the cinematography of A. Bely's «Moscow». The writer possessed cinematographic mentality. He, as in «Petersburg», created a daring artistic experiment - connected literature and cinema. The intensification of the entertainment, representational source, the vivid portrayal of gestures and the grotesque expression of face and the simultaneous weakness of the speech of characters corresponded to poetics of cinema fully as well as the rapid rhythm of physical of physical movements of characters. Andrey Bely's novels "The Moscow Eccentric», «Moscow Under Siege») - the novels-film scripts, marked by influence of expressionism.