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<article article-type="research-article" dtd-version="1.3" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xml:lang="ru"><front><journal-meta><journal-id journal-id-type="publisher-id">philomgou</journal-id><journal-title-group><journal-title xml:lang="ru">Отечественная филология</journal-title><trans-title-group xml:lang="en"><trans-title>Russian Studies in Philology</trans-title></trans-title-group></journal-title-group><issn pub-type="ppub">2949-5016</issn><issn pub-type="epub">2949-5008</issn><publisher><publisher-name>Federal State University of Education</publisher-name></publisher></journal-meta><article-meta><article-id custom-type="elpub" pub-id-type="custom">philomgou-1802</article-id><article-categories><subj-group subj-group-type="heading"><subject>Research Article</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="ru"><subject>ЛИТЕРАТУРА. ПУБЛИКАЦИИ АСПИРАНТОВ</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="en"><subject>LITERATURE. PUBLICATIONS OF THE POSTGRADUATE STUDENTS</subject></subj-group></article-categories><title-group><article-title>Шекспировская традиция в английской поэзии ХХ века: Тед Хьюз</article-title><trans-title-group xml:lang="en"><trans-title></trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author" corresp="yes"><name-alternatives><name name-style="eastern" xml:lang="ru"><surname>Татейшвили</surname><given-names>Виктория Михайловна</given-names></name></name-alternatives><email xlink:type="simple">victoria_tatej@mail.ru</email><xref ref-type="aff" rid="aff-1"/></contrib></contrib-group><aff xml:lang="ru" id="aff-1"><institution>МГОУ</institution><country>Russian Federation</country></aff><pub-date pub-type="collection"><year>2009</year></pub-date><pub-date pub-type="epub"><day>06</day><month>06</month><year>2022</year></pub-date><volume>0</volume><issue>4</issue><fpage>213</fpage><lpage>217</lpage><permissions><copyright-statement>Copyright &amp;#x00A9; Татейшвили В.М., 2022</copyright-statement><copyright-year>2022</copyright-year><copyright-holder xml:lang="ru">Татейшвили В.М.</copyright-holder><copyright-holder xml:lang="en">Татейшвили В.М.</copyright-holder><license xml:lang="ru" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>Данная работа распространяется под лицензией Creative Commons Attribution 4.0.</license-p></license><license xml:lang="en" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>This work is licensed under a Creative Commons Attribution 4.0 License.</license-p></license></permissions><self-uri xlink:href="https://www.philologymgou.ru/jour/article/view/1802">https://www.philologymgou.ru/jour/article/view/1802</self-uri><abstract><p>Тед Хьюз (1930-1998), один из самых ярких, значительных англий- ских поэтов ХХ в., считал Шекспира своим учителем. В книге Уильям Шекспир и бо- гиня целостного бытия (1992), в стихотво- рении Просперо и Сикоракса Хьюз толкует его творчество с точки зрения мифа о великой Богине - Природе. Его суть - конфликт меж- ду Природой и разумом человека, провоз- гласившего себя центром вселенной, - выра- жена в поэме Шекспира Венера и Адонис и поэтической драме Буря. Продолжение Хьюзом линии Шекспира выявляет при- надлежность поэта к мейнстриму английс- кой поэзии. Ted Hughes (1930-1998), one of the most well known English poets of the ХХ century, considered Shakespeare his Teacher . In a book Shakespeare &amp; the Goddess of Complete Being, in a poem Prospero and Sycorax  he interprets works of Shakespeare in the context of the myth of great Goddess - Nature. Its essence - conflict between Nature and a human being, who declares himself the center of universe, is expressed in Shakespeare's poem Venus and Adonis and poetical drama Tempest. Continuation by Hughes of Shakespeare's tradition reveals his belonging to the mainstream of English poetry</p></abstract><kwd-group xml:lang="ru"><kwd>английская поэзия</kwd><kwd>традиция</kwd><kwd>миф</kwd><kwd>природа</kwd><kwd>разум</kwd><kwd>English poetry</kwd><kwd>tradition</kwd><kwd>myph</kwd><kwd>nature</kwd><kwd>mind</kwd></kwd-group></article-meta></front><back><ref-list><title>References</title><ref id="cit1"><label>1</label><citation-alternatives><mixed-citation xml:lang="ru">Gifford T., Roberts N. Ted Hughes: A critical study. L.: Faber &amp; Faber, 1981. 188 p.</mixed-citation><mixed-citation xml:lang="en">Gifford T., Roberts N. Ted Hughes: A critical study. L.: Faber &amp; Faber, 1981. 188 p.</mixed-citation></citation-alternatives></ref><ref id="cit2"><label>2</label><citation-alternatives><mixed-citation xml:lang="ru">Hughes T. Selected poetry 1957 - 1981. L.: Faber &amp; Faber, 1982. 238 p.</mixed-citation><mixed-citation xml:lang="en">Hughes T. 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Его герой и время. - М., 1964.</mixed-citation></citation-alternatives></ref></ref-list><fn-group><fn fn-type="conflict"><p>The authors declare that there are no conflicts of interest present.</p></fn></fn-group></back></article>
